*Is the ancient Pythagorean concept *

*claiming that the movements of galaxies, celestial bodies,*

*humans, animals, vegetals, cells, atoms, hadrons, quarks, bosons…*

**Everything that exists and everything that doesn’t exist,***follows specific arithmetic and algebraic equations*

*based*

*on ratios*

* The harmonious sounds that the humans make, The Music*

*is only our approximation of this larger harmony*

*between*

*The Cosmos**& God*(π)*“The Harmony of The Spheres”*

**The Music** tell us something

about **Maths** and **Arithmetics**

that **The Physics** doesn’t know,

neither they are able to measure*it*

The way we create scales in **The Music**,

are the ratios we make doing projections

from 12 semitones into x2 Hz:

**a ratio of ^{12}√2 Hz**

And **The Harmonics **

are related to same arithmetic pattern

**Arithmetics are one of the oldest Greek arts**,

is a branch of mathematics that consists of the study of numbers,

especially the properties of the traditional operations:**addition, subtraction,****multiplication, division,****exponentiation and extraction of roots.**

The concept is based on **arithmetic abstraction.**

An

**abstraction**is a general concept or idea,

rather than something concrete or tangible.

It’s not related to the human perception,

but its the core of any artistic expression.

Any irrational number could be used to create scales

or harmonic divisions, but If we apply in**Arts, Music, Architecture,Designs,****Biology, Physics, Astronomy**…

**The Ratios**

that **The Cosmos**

(**π**) *(e)***(Φ)**

(

*)*

**ψ**

*(ρ)*

**(δ)**is using for encoding

and decoding projections

over its different dimensional levels…

We will find that actually we were using

numbers that doesn’t work outside our perception,

neither for **The Cosmos**, neither for **Quantum Physics**

because that numbers doesn’t exist,

we created inside our own mind,

our own projection.

**The Numbers**

we use from the 4th,**4,5,6,7,8…**

are **our projection** of the ratios

created by **Tesselations**

of the different dimensional roots **(√**)

from hyperpyramides generated

by our ortographic

projection

The “**TRUE” NUMBERS**

we should use,

are:

(**π**)^{(Φ) (ψ) }(* ρ*)

**(e)**

**(i)**

**-∞ ,-1, 0, 1, 2, 3, + ∞**

**(δ)**

*“The Energy**has an inversed quadratic proportionality to **The Time**but a direct lineal proportionality to** The Mass**and a direct quadratic proportionality** to The Space”*

“The 4 Elements*Space, Time,**Energy and Mass**are shaped by **The Change**in a different hierarchic ratio**over an hyperpyramidal projection**defined by the relationship**from the order of the dimensional projection**and the order of the dimensional model*“**(δ) (Φ) (ψ) (ρ)****(δ)**

=

(**Φ)** x **( _{X x Y x Z})**

**=**

**(e)**x

**(S**

_{xyz}) / (e) x (T_{xyz})=

**(**x

*)***π****(E**

_{STxyz})**/**

**(**) x

**π****(M**

_{STxyz})Maybe there are more dimensions

outside

**The Energy**and

**The Mass**

*Love? Hate?*

But until we could find what is over there

affecting in different hierarchic (dimensional) levels

**The Energy, The Mass, The Space and The Time**.

we need to call it

**The Change**

**ONLY EXISTS THIS NUMBERS:**

1

-1

– ∞

∞

3

2∞

3

2

*(e)*1

*(i)**(ψ) (π)*0_{(δ)}_{(Φ) (ρ)}-1

– ∞

All the other numbers you can imagine are

All the other numbers you can imagine are

The Tesselations

OF THE RELATIONSHIPS BETWEEN

OF THE RELATIONSHIPS BETWEEN

**OUR ORTOGRAPHIC PROJECTIONS**

*(+ ∞)*

( i )^{(e) }(δ) (π)^{ (1)}*(0)*_{(ψ)} (Φ) (ρ)_{(-1)}*(-∞)*

*The Pattern Of ***THE SOURCE***1 = 0_{-∞ (δ)} ^{(Φ) (ρ) ∞ }= _{(i)} (e) (π) ^{(ψ)}0 = *-1

*The definition of Sound :*

**Hyperdimensional proyection**

of **The Change** in **The Energy** and **The Mass**

over **The Time** and **The Space** inside **The Earth**‘s atmosphere

The definition of **Music**

**Extradimensional perception** of

hyperdimensional arithmetics and geometry

(**Cymatics**)